I was
reminded today of a very interesting fact about Tolkien’s world that I’d
somehow managed to forget recently, but that I feel everyone should know! If
you are interested in reading a bit more about this, the appendices in the back
of The Return of the King (or the back of a combined LOTR book) have much more
information than I’ll be able to explain here.
You might
all know how The Hobbit is meant, in universe, to be the Red Book of Westmarch/the
Thain’s Book/There and Back Again, Bilbo’s original tale, expanded to include
the LOTR events, transcribed and eventually translated for our [English]
reading pleasure. So, in other words, these books are originally (in universe)
written in Westron, and then translated for English. I assume you all know that
there are a few Elvish languages that Tolkien created and used in universe, as
well as parts of Black Speech and Khuzdul (Dwarvish).
I’d always assumed that Westron
was just English (with a few more words added in), but Westron (or Adûni, with
Westron being the English translation) is actually its own language, although
not as fully created as Quenyan or Sindarin.
HOWEVER!
Tolkien’s language creation goes even further than that. What you may NOT know
is that Frodo, Sam, Pippin, and Merry are NOT the hobbits true names in
universe! The hobbits real names are:
Maura
Labingi (Frodo Baggins)
Banazîr/Ban
Galbasi (Samwise/Sam Gamgee)
Razanur/Razar
Tûc/Tûk (Peregrin/Pippin Took)
Kalimac/Kali
Brandagamba (Meriadoc/Merry Brandybuck)
Even
Bilbo is not the old hobbit’s “original” name in Adûni – he is actually called
Bilba Labingi!
Tolkien
goes as far as to explain the meanings of the names in Adûni, then how that
translates to Old English and then modern English. Maur- in archaic Rohirrric
meant “Wise”, so it translates to English through a Germanic name meaning the
same, hence Frodo.
Ban
(Sam) is often short in Adûni for Bannâtha, like Sam is usually short for
Samuel, but in Sam Gamgee’s case, Ban is short for Banazîr, meaning “half-wise”
or “simple”.
Kali
means “merry, jolly, gay” in Adûni, while “Kalimac” is unknown in meaning
(another choice by Tolkien, as Adûni is not a real language – wonder why he
decided to give translations or meanings to some words but not to others? Could
just be to make the languages seem more realistic – we have these types of
scenarios with names today as well!), so Tolkien used Merry, making it short
for Meriadoc.
And
even the word Hobbit is an English-translated version of the Third Age word “KUDUK”
– translated to Old English “HOLBYTLA”, meaning “hole-dweller” then into modern
English as “Hobbit” – although kuduk is only used by hobbits – others would
refer to hobbits as “BANAKIL” or “halfling”.
There
are so many more interesting things relating to Tolkien’s use of our-world languages
current and historical and creation of language current and historical for
Middle Earth – and everything he chose for those languages was specifically a CHOICE
as we keep talking about. This is not a real situation, but it definitely feels
a bit more real, a bit more like a book translated from another world, when you
realize that we’ve been following these hobbits through their entire journey as
“Bilbo, Frodo, Sam, Pippin, and Merry” and those aren’t even, in-universe,
their real names!
Again,
if you want to know more, I got most of this information from the Appendices in
the back of the Return of the King, and some from https://folk.uib.no/hnohf/westron.htm
Happy
Readings!
Something I'm coming to realize as I read or re-read Tolkien's works is that the intricacies of his world-building are what makes his stories so incredibly immersive! For me, one of the aspects of his writing that makes the world seem most "realistic" is his attention to language and etymology! That being said, this post is incredibly interesting to me as I had no idea that the names we know the characters by weren't their "real" names and were actually translations from Westron to English. It almost seems like Tolkien is just acting as a translator and Bilbo is the true writer. I really appreciate his creation of high, ancient and common languages with meaningful translations because it makes the stories all the more believable!
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